Input timecode standard : EBU (25) (This is automatic) The Input and Output ratios availabe are as follows:. We have a new product, the Timecode Gearbox (TG-1) this can accept timecode at any standard and rate and output timecode at any standard and rate. (I can hardly imagine that you solved the pitch as well on 6 tracks AC-3. Could you tell me which box to get from you and how it works. I'm sure you have the tools to solve this for us. The film scanning is done from a 24 fps film, spun up to 25 fps, we get the original soundtracks on DA-88 which don't match since they are the original speed of 24 fps. We've come across the old problem again in mastering DVD's. and requires formatted media up to the in point.Ī crash record gives a dirty in and a dirty out and does not require formatted media. You should set the Insert flag to indicate an insert edit, insert gives a clean in and a clean out and always requires formatted media.Īn Assemble edit will edit on all tracks simultaneously and reformat the media, this gives a clean in but a dirty out. ![]() In a DAW Insert or Assemble have no real meaning, for me Edit On or Record does the same, but maybe a controller assumes something else. Actually I always return them at 0 and everything seems to work well, but maybe I should store those bits when given by the Edit Preset command and give them back when requested. How does a controller interpret the Status Sense and Edit Preset Sense returned bits : "Insert" and "Assemble".
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